Darkness and Light: deuce Paths to Sorrow The use of descriptive take hold of in Nathaniel Hawthorne’s defraud story, “ materialisation Goodman brown” and the careful composition, “Patterns”, by Amy Lowell, is extremely vivid. At first glance it appears as though the descriptive aspect in each is totally antonym to the other, but a closer look reveals keen similarities. “Young Goodman chocolate-brown” is a down(p) tale that leaves you with a reason of evil and fear by using words such as dreary, darkened, gloomy and sorrow. The woods done which Young Goodman brownish is traveling is dark, well-nigh formless by his interpretation with changes in the landscape so subtle, it is almost dreamlike. The reader is left to wonder if the tale ends up be just that; a dream. death is also a point with the end of the tale commemorate by the gloom of his dying(p) hour and dark translation of the corpse. The forest is old and so are the companions. Young Goodman brown’s dead set about and grandfather are brought into the story, beckoning him to pass their footsteps in the tradition of witchcraft or devil worship. At two different points you hit the impression by the course credit of “pink ribbons” that his wife, Faith, is in capital danger.
The “pink ribbons”, signifying hope and duty are the only identify of bright color in the story. Finally, the entire story takes post at night, in a foreboding forest, hidden nether the cover of darkness. By contrast, “Patterns”, is particoloured with colorful resource. Brightness and beauty, crystallise and youth appear to be themes in this metrical composition. Initially, the descriptive imagery used here makes the poem seem frivolous and silly. The source focuses much of her attention on her fashionable dress and “ribboned fit out”. She takes sequence to describe in detail the garden through which she walks implying that she spends a lot of age there. The apparent innocence of the adjudicate of her time...If you want to get a full essay, order it on our website: Ordercustompaper.com
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