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Thursday, April 25, 2019

Description of Christo and Jeanne Claude`s Installation The Gates Essay

rendering of Christo and Jeanne Claudes Installation The Gates - Essay ExampleIt is all about altering the space and and so altering the eye. The Gates have a rare quality that combines an open invitation with an exciting sense of closed book at every step into it. The saffron clothe hung at each gate just kindred a half-curtain had a function of masking the view ahead, for a few moments, when a person passes finished it (Christo and Jeanne Claude The Gates). The gates masked the panoramic view at each step but too revealed a new vision also at every step (Christo and Jeanne Claude The Gates). The saffron imperativeness in which Christo and Claude had dressed up the classic elegance of the common land provided a contrast beyond comparisons so as to make the onlooker feel as if he/she was entering a surreal populace (Christo and Jeanne Claude The Gates). The monotony of visual experience caused by the repetition of the gates has a purpose to serve. It hides the contours of th e park and gives out a monolithic experience where even when a visitor walks miles and miles, she would feel she had not travel at all. By repeating the space and expanding it, thus the artists had manipulated time as well, by instilling a feeling of eternity. The equal distance that is kept between the gates is yet another artistic technique to enrich the feeling of infinity. The very material presence of the textile is suggestive of the time-limited nature of this work of art. It is unadorned to the visitor to this work of art that it is not going to last forever just like a painting or a sculpture. Yet it has a unique value as a spectacle, a value that a painting or a sculpture cannot command. It is the time-constraint that imparted it a value as a spectacle. The installation also offered the onlookers, a side view, from the road, which was equal to an outside view. From this viewpoint, the gates transformed into a white row of big women legs clad in saffron skirts (Christo an d Jeanne Claude The Gates).

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